Audio-Technica microphones are studio condensers, dynamic stage mics, USB podcast models and System 10 digital wireless systems from the Japanese brand making mics since 1962.
Audio-Technica microphones are studio condensers, dynamic stage mics, USB podcast models and System 10 digital wireless systems from the Japanese brand making mics since 1962.
About Audio-Technica Microphones
Audio-Technica has been designing microphones and audio gear in Japan since 1962, and the brand has earned a reputation for honest, detailed sound at prices working musicians can afford. The AT20 series is the backbone of countless home studios worldwide: the AT2020 set the standard for affordable large diaphragm condensers, while the AT2035 adds a smoother top end and the AT2050 offers switchable polar patterns for more flexible recording.
The SWAMP range spans Audio-Technica condenser microphones for studio vocals and instruments, Audio-Technica dynamic microphones for stage and podcast duty, USB models for plug-and-play recording and System 10 2.4GHz digital wireless systems. The ATR2100x-USB is a standout for podcasters, offering both USB and XLR outputs in one handheld dynamic mic. Compare the wider range of USB microphones and all microphones, or match your mic with a set of Audio-Technica headphones.
Yes, the AT2020 is one of the most recommended first studio microphones in the world. It is a cardioid large diaphragm condenser with a clear, balanced sound that suits vocals, acoustic guitar and voiceover. Step up to the AT2035 for a shock mount and smoother response, or the AT2050 for multiple polar patterns.
USB models plug straight into a computer and are ideal for podcasting and streaming without an audio interface. XLR models offer more upgrade headroom and work with any interface or mixer. The ATR2100x-USB includes both outputs, so you can start on USB and move to XLR later.
Yes. Audio-Technica has designed microphones and audio gear in Japan since 1962 and has a strong reputation for honest, detailed sound at prices working musicians can afford. The range covers studio condensers, stage and podcast dynamics, USB models and digital wireless systems, so there is a well-regarded option for almost any application.