A dynamic vocal microphone is the handheld stage mic singers use, with a cardioid pattern that rejects monitor spill and a rugged capsule that copes with loud, busy stages.
About Dynamic Vocal Microphones
A dynamic vocal microphone is the singer's standard tool for live performance. The cardioid pickup pattern focuses on your voice while rejecting spill from stage monitors and the crowd, and the rugged moving-coil capsule copes with loud stages, plosives and the occasional drop. From pub gigs and church services to school PA systems and karaoke nights, a handheld dynamic mic is the go-to stage microphone for singing through any PA.
The range runs from the iSK DM-58, SWAMP SD100 and Alctron PM05, reliable entry-level vocal mics, through to the industry-standard Shure SM58 and Beta 58A, with switched versions of several models for venues and hire use. Broadcast and podcast favourites like the Shure SM7B sit here too, alongside options from Audio-Technica, JOYO and Saramonic. Browse the full dynamic microphones range for instrument and drum options, step up to a condenser microphone for detailed studio vocals, or go cable-free with a wireless microphone system. Pair your mic with an XLR microphone cable and a sturdy microphone stand and you are stage-ready.
Vocal Microphone FAQs
How is a vocal microphone different from other dynamic mics?
Vocal mics are voiced for the human voice, usually with a presence lift that helps singing cut through a band mix. The ball grille doubles as a pop filter for close-up use, and the handheld body is designed to suppress handling noise.
Is the Shure SM58 still the standard vocal microphone?
Yes. The SM58 remains the benchmark handheld vocal mic on stages worldwide, and most affordable vocal mics, including the iSK DM-58, follow its cardioid dynamic formula at a lower price.
Should I choose a vocal microphone with an on/off switch?
A switch suits speeches, karaoke and venues where the mic is passed around, letting the user mute between announcements. For band work most engineers prefer switchless mics, so a channel cannot be accidentally killed mid-set.
